"No one has ever come across a cat apologising and if a cat did, it would patently be obvious it was not being sincere.”
When I commenced reading the latest winner of the Man Booker
Prize, I was instantly captivated by the first-person narrative. Burns expertly
weaves a spell of ever tightening walls. The walls talk; and the perceptions of
others can be a death sentence.
Our heroine is being stalked by The Milkman and he is a
dangerous man to know. The locals see his attempts to interact with her and
believe that she is having an affair with the married man, rather than actively
seeking to avoid his clutches. She’s more interested in maybe-boyfriend.
Jogging with her brother in law is a means of escape. She is
an outsider reading books and taking French classes, where others fill their
days with gossip and violence. Her mother’s inability to believe her is
particularly frustrating and initially quite funny. That is until the humour
takes on a more dangerous tone. Perhaps that is the most interesting aspect of
the novel the black humour that tinges the fight or flight terror of the
everyday.
As I read the latter parts of the novel in a piecemeal
fashion on my way to and from work, I think it lost something. It was too easy
to drift out of the peculiar parlance of the book and having to constantly
re-acquaint myself with it was frustrating. That aside, this is a great read
and an intriguing character exploration.
5 out of 5 - the dead
cat scene is visceral.
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